El número 5 y el número 6 indican en la octava que se tiene que tocar, es decir DO5 Y DO6 no es lo mismo, el primer DO es una octava abajo que el segundo DO. Nació en Dolores Hidalgo, Guanajuato, México 19 de enero de 1926 y falleció en Ciudad de México, 23 de noviembre de 1973. Tabs, letra y acordes de Ella por José Alfredo Jiménez. Bona (who produced this number), as well as music by Casino Shangai and others. José Alfredo Jiménez, compositor mexicano, que sin tener idea de composición ni tocar instrumento alguno, compuso más de un millar de canciones principalmente rancheras, sones y corridos a ritmo de mariachi. It also includes songs from EUAL’s own Dr. Look for this in the Txema Novelo (EUAL) directed independent film, Love Limits, which you may now stream at your leisure on Vimeo. Las Coplas: a) No Me Amenaces - b) Cuando Vivas Conmigo - c) La Media Vuelta - d) Me Equivoque Contigo - e) La Mano De Dios - f) Amaneci Entre Tus Brazos - g) Si nos Dejan - h) El 7 Mares. So if you’ve ever been curious as to what a Post-Punk Pedro Infante sounds like, keep wondering cause this ain’t it (and I guess that’s a good thing?). El Velar manages the odd feat of turning a heart-break classic into a (Mexican) horror story, interspersing the mostly monotonous vocals with concrète-style sound design in a maelstrom of wails, machines, and disembodied guitars that simply works.
The pulsating drone that drives the song is a sample lifted straight from Throbbing gristle’s “Convincing People”–convincing us that, in fact, such a concoction is actually a good idea–rendering this less a cover and more of a mash-up. It doesn’t really get more unfuckwithable than that sombrero-wielding duplet, but I’ll go out on a limb and say that Mexihco City’s El Velar belongs to that exceptional one-tenth that manages to fuck with–and not fuck up–a classic. he composed more than 1,000 songs including classics such as Ella. “Me cansé de rogarle” is another in a long string of tequila-drenched numbers for self-pitying males by Mexican ranchero legend José Alfredo Jimenez, though it’s mostly familiar to people because it was interpreted countless times on celluloid by Actor-Singer-Songwriter-Demigod: Pedro Infante. Jos Alfredo Jimnez, was the undisputed king of rancheras, the melodramatic and. Whether they’re rhythms or specific songs, often times the re-imagining or re-purposing of the old seems like a cheap and predictable avenue toward quick Likes and nostalgia-ridden followers that nine times out of ten just fucks up a perfectly good (and should-be unfuckwithable) thing. I’m really skeptical when it comes to new takes on old folk staples.
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